Houdini – Eminem

Eminem’s latest track, “Houdini,” released on May 31, 2024, as the lead single from his upcoming twelfth studio album The Death of Slim Shady (Coup de Grâce), has ignited a firestorm of controversy. The song, produced by Eminem himself, features a sample and interpolation of Steve Miller Band’s 1982 hit, “Abracadabra,” blending nostalgic rock elements with his cutting-edge rap style.

The Track

“Houdini” is quintessential Eminem, featuring a lively beat that melds seamlessly with his rapid-fire delivery and sharp wit. The track’s upbeat tempo and catchy hook are complemented by the clever use of “Abracadabra,” creating a sound that is both fresh and familiar. From the opening bars, it’s clear that Eminem is intent on proving his dominance in the rap game, blending intricate rhymes with pop culture references.

The Controversy

The controversy surrounding “Houdini” is rooted in its direct and unfiltered lyrics, particularly those involving Megan Thee Stallion. In the track, Eminem makes a reference to Megan’s recent public struggles, which some have interpreted as insensitive and disrespectful. This has sparked a heated debate, with critics accusing Eminem of being out of touch and even calling for his cancellation.

Many have taken to social media, using the hashtag #CancelEminem, to voice their disapproval. They argue that his lyrics perpetuate harmful narratives and show a lack of empathy. Eminem also makes provocative references to his manager Paul Rosenberg, mentor Dr. Dre, and even his own children, further fuelling the controversy. However, others defend Eminem, pointing out that his provocative style has always been a hallmark of his music, pushing boundaries and challenging societal norms.

In Defence of Eminem

topics head-on. Throughout his career, Eminem has used his music as a platform to address personal and societal issues, often sparking debate and discussion. His unfiltered approach is part of what has made him a compelling and influential figure in the music industry.

Eminem’s supporters argue that “Houdini” is an example of his right to artistic expression. They believe that the song’s controversial elements should be seen in the context of his broader body of work. Eminem has always been known for his ability to provoke thought and discussion through his lyrics, and “Houdini” is no different. It’s a reminder of his role as an artist who isn’t afraid to speak his mind and challenge his audience.

Final Thoughts

“Houdini” is a powerful addition to Eminem’s discography. It’s a track that challenges, provokes, and ultimately reaffirms Eminem’s place at the top of the rap hierarchy. Despite the controversy, or perhaps because of it, “Houdini” stands out as a bold statement from an artist who has never been afraid to push boundaries.

In supporting Eminem, we recognize the importance of artistic freedom and the right to self-expression. “Houdini” is more than just a song; it’s a declaration of resilience and an assertion of Eminem’s enduring legacy in hip-hop. Eminem’s ability to ignite conversation and challenge perceptions is a testament to his lasting impact on the music world.

lyrics

[Skit: Paul Rosenberg]
Hey, Em, it’s Paul
Uh, I was listening to the album
Good fucking luck, you’re on your own

[Intro: Eminem]
Guess who’s back, back again?
Shady’s back, tell a friend
Guess who’s back, guess who’s back
Guess who’s back, guess who’s back
Guess who’s back, guess who’s back
Guess who’s back
(Da-da-da, da, da, da, da, da, da)
(Da-da-da, da, da, da, da)

[Verse 1: Eminem]
Well, look what the stork brung
(What?) Little baby devil with the forked tongue
And it’s stickin’ out, yeah, like a sore thumb
(Bleah) With a forehead that it grew horns from
Still a white jerk
Pullin’ up in a Chrysler to the cypher with the vic’s, percs and a Bud Light shirt
Lyrical technician, an electrician y’all light work
And I don’t gotta play pretend, it’s you I make believe
And you know I’m here to stay ’cause me
If I was to ever take a leave, It would be aspirin to break a feve
If I was to ask for Megan Thee Stallion if she would collab with me
Would I really have a shot at a feat? (Ha!)
I don’t know, but I’m glad to be back, like

[Chorus: Eminem]
Abra-abracadabra
(And for my last trick) I’m ’bout to reach in my bag, bruh
Abra-abracadabra
(And for my last trick, poof) Just like that and I’m back, bruh

[Verse 2: Eminem]
Now back in the days of old me
(When) Right around the time I became a dope fiend
Ate some codeine, as a way of coping taste of opiates, case of O.E
​Turned me into smiley face emoji
My shit may not be age appropri—
Ate but I will hit an eight year old in the face with a participation trophy
‘Cause I have zero doubts
That this whole world’s ’bout to turn into some girl scouts
That censorship bureau’s out
To shut me down so when I started this verse
It did start off light-hearted at first
But it feels like I’m targeted
Mind bogglin’ how my profit has skyrocketed, look what I pocketed
Yeah, the shit is just like y’all have been light joggin’ and I’ve been running at full speed
And that’s why I’m ahead like my noggin, and I’m the fight y’all get in
When you debate who the best but ops I’m white-chalkin’ when
I step up to that mic, cock it then
“Oh my god, it’s him… not again!”

[Chorus: Eminem]
Abra-abracadabra
(And for my last trick) I’m ’bout to reach in my bag, bruh
Abra-abracadabra
(And for my last trick, poof) Just like that and I’m back, bruh

[Bridge: Eminem]
Sometimes I wonder what the old me’d say
(If what?) If he could see the way shit is today
(Look at this shit, man) He’d probably say that everything is gay
(Like happy!) What’s my name, what’s my name?

[Verse 3: Eminem]
So, how many little kids still wanna act like me?
I’m a bigger prick than cacti be
And that’s why these words sting, just like you were being attacked by bees
In the coupe leaning back my seat
Bumpin’ R. Kelly’s favorite group, the black guy pee’s
In my Air Max 90’s
White T’s walkin’ parental advisory
My transgender cat’s Siamese
Identifies as black, but acts Chinese
Like a motherfuckin’ hacky sack I treat the whole world, ’cause I got it at my feet
How can I explain to you?
That even myself, I’m a danger too
I hop on tracks like a kangaroo
And say a few things or two to anger you
But fuck that, if I think that shit, I’ma say that shit
Cancel me what? Okay, that’s it, go ahead, Paul, quit
Snake-ass prick, you male crossdresser, fake-ass bitch
And I’ll probably get shit for that
(Watch) But you can all suck my dick, in fact
Fuck them, fuck Dre, fuck Jimmy, fuck me, fuck you, fuck my own kids they’re brats (Fuck ’em)
They can screw-off, them and you all
You too, Paul, got two balls, big as RuPaul’s, what you thought you saw ain’t what you saw
‘Cause you’re never gon’ see me
Caught sleepin’ and see the kidnappin’ never did happen
Like Sherri Papini, Harry Houdini, I vanish into the thin air as I’m leaving, like

[Chorus: Eminem]
Abra-abracadabra
(And for my last trick) I’m ’bout to reach in my bag, bruh
Abra-abracadabra
(And for my last trick, poof) Just like that and I’m back, bruh